“This show has been in the works for years and to finally share it with the world is a dream come true,” said Daniel Lamarre, president and CEO of Cirque du Soleil Entertainment Group. There is also new animation created by Disney Animation artists, led by animation director Eric Goldberg, best known for characters such as the Genie in Aladdin. Drawn to Life is driven by 10 acrobatic acts alongside animation from films like Frozen, Beauty and the Beast, and Cinderella. The show is written and directed by Michel Laprise with Fabrice Becker as director of creation and developed with Michael Jung. Plus, like any Disney film, Julie must face down a truly heinous villain: Miss Hésitation, a massive ball of crumpled paper composed of rejected drawings that feeds off of self-doubt.Ĭheck Out Photos of Maude Apatow in Little Shop of Horrors Along the way, she encounters rhythmic gymnasts interpreting pages of drawings in continuous sequence, a pair of human trapeze artists moving as paintbrushes to create a kaleidoscope of colors, teeterboard artists displaying the squash and stretch principle of animation, and more. As she dives into the world of drawing, guided by a helpful pencil, Julie embarks on a quest filled with childhood Disney memories. The story follows Julie, a girl who discovers a gift-an unfinished animation-left by her father. Get a sneak peek above at the show and the opening night festivities.ĭrawn to Life explores animation through Cirque’s signature acrobatic storytelling. In fact, as a further sign of its self-confidence, this production has a score by Benoît Jutras, who dares to be original, only occasionally quoting Disney tunes as brief motifs.A whole new world opened up to audiences November 18 when Drawn to Life, the new collaboration from Cirque du Soleil and Disney, opened in Disney Springs at Walt Disney World Resort. It’s no jukebox of worn Disney tropes and song snippets without emotional connection, as the resort's other nighttime spectaculars-Magic Kingdom's Enchantment and Epcot's Harmonious-have become. When Disney tells its own story, it’s always “magic, dreams, imagine.” But Drawn to Life is more delicate than that. It's telling that it took a partnership with outsiders to revive a deep respect for the meticulous animation process-and to do so in a way that doesn't clobber you over the head. Modern Disney would much prefer for guests to spend money on the current marketing push, so, over time, animation exhibitions were closed, museum spotlights were whittled to nothing, and even bookstores containing the company's history were converted into dull souvenir stalls. Over time, Walt Disney World executives have authorized the removal of nearly every attraction that dwells on the decades of risky labors that form the foundations of the Disney empire. Characters don't have emotions by themselves their onscreen friends mirror the core emotion with "secondary action." And so on.
For example, well-animated objects don't simply travel unchanged they "squash and stretch" as they encounter things. On the walls of the lobby of the newly renovated theatre (in which there's not a bad seat in the house, only more distant ones), audiences can find "Principles of Animation," a glossary of some of the technical terms that Walt and Roy Disney first learned to master a century ago in their quest to make cartoons seem lifelike. In Drawn to Life, each feat of physical derring-do serves to fortify, sometimes in a symbolic sense, the basic tenets that animators use to make their work feel more authentic. But Drawn to Life adds a unifying concept-a little girl loses her father but finds self-discovery and consolation in the hard work that animation requires.
#Drawn to life cirque opening series#
We see a series of acrobatic acts that are linked by vignettes of European-style clowning. All Cirque productions are essentially modernist vaudeville revues.
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